|
Film Name
up
down |
Year
up down |
Director
up
down |
Genre |
Role |
| BEIDEN SEEHUNDE, DIE |
1928 |
MAX NEUFELD |
|
Director Of Photography |
| HOCHZEIT IM HEU |
1951 |
ARTHUR M. RABENALT |
|
Director Of Photography |
| DIEB IM SCHLAFCOUPE, DER |
1929 |
RICHARD LOWENBEIN |
|
Director Of Photography |
| HEUTE IST DER SCHONSTE TAG IN MEINEM LEBEN |
1936 |
RICHARD OSWALD |
|
Director Of Photography |
| MODELLHAUS CREVETTE |
1928 |
MAX NEUFELD |
|
Director Of Photography |
| WENN DU JUNG BIST GEHORT DIR DIE WELT |
1934 |
RICHARD OSWALD |
|
Director Of Photography |
| HERREN DER MEERE |
1922 |
ALEXANDER KORDA |
Adventure |
Director Of Photography |
| HEIMWEH.. DORT WO DIE BLUMEN BLUH'N |
1957 |
FRANZ ANTEL |
|
Director Of Photography |
| KULT CIALA |
1930 |
MICHAL WASZYNSKI |
|
Director Of Photography |
| ROSENKAVALIER, DER |
1926 |
ROBERT WIENE |
|
Director Of Photography |
| GLUCK LIEGT AUF DER STRASSE, DAS |
1957 |
FRANZ ANTEL |
|
Director Of Photography |
| BURGTHEATER |
1936 |
WILLI FORST |
|
Director Of Photography |
| FAMILIE OHNE MORAL, DIE |
1927 |
MAX NEUFELD |
|
Director Of Photography |
| FUNF-MINUTEN-VATER, DER |
1951 |
J. A. HUBLER-KAHLA |
|
Director Of Photography |
| FRANZ SCHUBERTS LETZTE LIEBE |
1926 |
ALFRED DEUTSCH-GERMAN |
|
Director Of Photography |
| ERZHERZOG JOHANN |
1929 |
MAX NEUFELD |
|
Director Of Photography |
| GULLIVERS REISEN |
1924 |
GEZA von CZIFFRA |
Fantasy |
Actor |
| OBERSTEIGER, DER |
1952 |
FRANZ ANTEL |
|
Director Of Photography |
| PUPPENFEE, DIE |
1936 |
E. W. EMO |
|
Director Of Photography |
| RACHE DER PHARAONEN, DIE |
1925 |
HANS THEYER |
Adventure |
Director |
| TAT DES ANDREAS HARMER, DIE |
1930 |
ALFRED DEUTSCH-GERMAN |
|
Director Of Photography |
| SERGE PANINE |
1922 |
CHARLES MAUDRU |
|
Director Of Photography |
| AUF DER ALM, DA GIBT'S KOA SUND' |
1950 |
FRANZ ANTEL |
|
Director Of Photography |
| VERTIGE, LE |
1926 |
MARCEL L'HERBIER |
|
Director Of Photography |
| HERR DES TODES, DER |
1926 |
HANS STEINHOFF |
|
Director Of Photography |
| ROK 1914 |
1932 |
HENRYK SZARO |
|
Director Of Photography |
| MITTERNACHTSWALZER, DER |
1929 |
HEINZ PAUL |
|
Director Of Photography |
| BEUTE DES SCHEIKS, DIE |
1929 |
FRANZ PLASZKY |
|
Director Of Photography |
| FRAU VON GESTERN UND MORGEN, DIE |
1929 |
HEINZ PAUL |
|
Director Of Photography |
| WENN DIE GLOCKEN HELL ERKLINGEN |
1959 |
EDUARD von BORSODY |
|
Director Of Photography |
| IDEALE FRAU GESUCHT |
1952 |
FRANZ ANTEL |
|
Director Of Photography |
| ALTE SUNDER, DER |
1951 |
FRANZ ANTEL |
|
Director Of Photography |
| HALLO, DIENSTMANN! |
1952 |
FRANZ ANTEL |
|
Director Of Photography |
| CHANT DU DESTIN, LE |
1933 |
JEAN-RENE LEGRAND |
|
Director Of Photography |
| GROSSE LIEBE, DIE |
1931 |
OTTO PREMINGER |
|
Director Of Photography |
| ABENTEUER AM LIDO |
1933 |
RICHARD OSWALD |
Comedy |
Director Of Photography |
| JULIKA, DIE |
1936 |
GEZA von BOLVARY |
|
Director Of Photography |
| KINDER DER REVOLUTION |
1923 |
HANS THEYER |
|
Director |
| DREI NIEMANDSKINDER, DIE |
1927 |
FRITZ FREISLER |
|
Director Of Photography |
| SILHOUETTEN |
1936 |
WALTER REISCH |
|
Director Of Photography |
| TAGEBUCH DER GELIEBTEN, DAS |
1935 |
HENRY KOSTER |
|
Director Of Photography |
| FRAULEIN FRAU |
1923 |
HANS THEYER |
|
Director |
| EHESANATORIUM |
1955 |
FRANZ ANTEL |
|
Director Of Photography |
| AUSPROBIERTE FREIER, DER |
1918 |
HANS THEYER |
|
Director |
| HENKER VON SANKT MARIEN, DER |
1920 |
FRITZ FREISLER |
|
Director Of Photography |
| GERWISSENSWURM, DER |
1917 |
HANS THEYER |
|
Director |
| UWIEDZIONA |
1931 |
MICHAL WASZYNSKI |
|
Director Of Photography |
| HURAGAN |
1928 |
JOSEPH LEYTES |
|
Director Of Photography |
| BEFEHL ZUR EHE, DER |
1928 |
MAX NEUFELD |
|
Director Of Photography |
| MADCHENSCHIFF, DAS |
1929 |
ROBERT WOHLMUTH |
|
Director Of Photography |
| STRECKE, DIE |
1927 |
MAX NEUFELD |
|
Director Of Photography |
| WOLGAMADCHEN, DAS |
1930 |
ROBERT WOHLMUTH |
|
Director Of Photography |
| ROSEN AUS DEM SUDEN |
1954 |
FRANZ ANTEL |
|
Director Of Photography |
| NICHTS ALS ARGER MIT DER LIEBE |
1956 |
THOMAS ENGEL |
|
Director Of Photography |
| LUMPAZIVAGABUNDUS |
1956 |
FRANZ ANTEL |
|
Director Of Photography |
| MIT MUSIK DURCHS LEBEN OU SINGENDE JUGEND |
1936 |
MAX NEUFELD |
|
Director Of Photography |
| VIER MADELS AUS DER WACHAU |
1957 |
FRANZ ANTEL |
|
Director Of Photography |
| KAISERWALZER |
1953 |
FRANZ ANTEL |
Musical |
Director Of Photography |
| BALLETTERZHERZOG, DER |
1926 |
MAX NEUFELD |
|
Director Of Photography |
| GLOCKEN LAUTEN UBERALL |
1960 |
FRANZ ANTEL |
|
Director Of Photography |
| WIATR OD MORZA |
1931 |
KAZIMIERZ CZYNSKI |
|
Director Of Photography |
| VERLIEBTE LEUTE |
1954 |
FRANZ ANTEL |
|
Director Of Photography |
| HINGABE |
1929 |
GUIDO BRIGNONE |
|
Director Of Photography |
| SCHATZ VOM TOPLITZSEE, DER |
1959 |
FRANZ ANTEL |
|
Director Of Photography |
| GROSSTE GAUNER DES JAHRHUNDERTS, DER |
1927 |
MAX OBAL |
|
Director Of Photography |
| GROSSTADTNACHT |
1950 |
HANS WOLFF |
|
Director Of Photography |
| MUSIKANT VON EISENSTADT, DER |
1934 |
ALFRED DEUTSCH-GERMAN |
Drama |
Director Of Photography.Director Of Photography |
| HEIMATLAND |
1955 |
FRANZ ANTEL |
Drama |
Director Of Photography |
| BOLEK I LOLEK |
1936 |
MICHAL WASZYNSKI |
|
Director Of Photography. |