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MAX FASSBENDER
Person Information
| Names |
MAX FASSBENDER |
| Year Of Birth |
|
| Day Of Birth |
|
| Place Of Birth |
|
| Town Of Birth |
|
| Year Of Death |
|
| Day Of Death |
|
| Best Known |
|
|
Filmography
|
Film Name
up
down |
Year
up down |
Director
up
down |
Genre |
Role |
| LEBENDE LEICHNAM, DER |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| TAGEBUCH EINER VERLORENEN 1, DAS |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| TAGEBUCH EINER VERLORENEN 2, DAS |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| EUROPA POSTLAGERND |
1918 |
E. A. DUPONT |
|
Director Of Photography |
| SEINE LETZTE MASKE |
1916 |
RICHARD OSWALD |
|
Director Of Photography |
| PROSTITUTION, DIE |
1919 |
RICHARD OSWALD |
|
Director Of Photography |
| GEHEIMNISVOLLE VILLA, DIE |
1914 |
JOE MAY |
|
Director Of Photography |
| FRAUENBEICHTE 3 |
1921 |
GERHARD LAMPRECHT |
|
Director Of Photography |
| RENNFIEBER |
1917 |
RICHARD OSWALD |
|
Director Of Photography |
| FABRIK-MARIANNE |
1913 |
WALDEMAR HECKER |
|
Director Of Photography |
| MANN IM KELLER, DER |
1914 |
JOE MAY |
|
Director Of Photography |
| ZWEITE FRAU, DIE |
1917 |
RICHARD OSWALD |
|
Director Of Photography |
| RACHE DER TOTEN, DIE |
1917 |
RICHARD OSWALD |
|
Director Of Photography |
| WILLIAM TELL |
1925 |
EMIL HARDER |
|
Director Of Photography |
| VERSCHLEIERTE BILD VON GROSZKLEINDORF, DER |
1913 |
JOE MAY |
|
Director Of Photography |
| PANZERGEWOLBE, DAS |
1914 |
JOE MAY |
|
Director Of Photography |
| ES WERDE LICHT! 3 |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| FRAUENBEICHTE 1 |
1921 |
GERHARD LAMPRECHT |
|
Director Of Photography |
| FRAUENBEICHTE 2 |
1921 |
GERHARD LAMPRECHT |
|
Director Of Photography |
| TITANENKAMPF |
1916 |
JOSEPH DELMONT |
|
Director Of Photography |
| VERLORENE SEELEN |
1921 |
HANS KALDEN |
|
Director Of Photography |
| MARIE ANTOINETTE |
1922 |
RUDOLF MEINERT |
|
Director Of Photography |
| SPRUNG INS DUNKLE, DER |
1920 |
ERNST REICHER |
|
Director Of Photography |
| RAFFINIERTESTE FRAU BERLINS, DIE |
1927 |
FRANZ OSTEN |
|
Director Of Photography |
| KONIGLICHE BETTLER |
1917 |
RICHARD OSWALD |
|
Director Of Photography |
| GEORGE BULLY |
1920 |
MAX OBAL |
|
Director Of Photography |
| SELTSAME GESCHICHTE DES BARONS TORELLI, DIE |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| GESTREIFTE DOMINO, DER |
1915 |
ADOLF GARTNER |
|
Director Of Photography |
| ES WERDE LICHT! 2 |
1917 |
RICHARD OSWALD |
|
Director Of Photography |
| ES WERDE LICHT! 1 |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| WEG INS FREIE, DER |
1917 |
RICHARD OSWALD |
|
Director Of Photography |
| MEDIUM, DAS |
1921 |
HERMAN ROSENFELD |
|
Director Of Photography |
| SPUK IN HAUSE DES PROFESSORS, DER |
1914 |
JOE MAY |
|
Director Of Photography |
| HENRIETTE JACOBY |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| GROSSE CHEF, DER |
1921 |
MAX OBAL |
|
Director Of Photography |
| RATTENLOCH, DAS |
1921 |
MAX OBAL |
|
Director Of Photography |
| JETTCHEN GEBERT |
1918 |
RICHARD OSWALD |
|
Director Of Photography |
| NACHTSTURME |
1923 |
HANNS KOBE |
|
Director Of Photography |
| CYGANKA AZA |
1926 |
ARTUR TWARDYJEWICZ |
|
Director Of Photography |
| MARIA, DIE GESCHICHTE EINES HERZENS |
1926 |
FRIEDRICH FEHER |
|
Director Of Photography. |
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