|
Film Name
up
down |
Year
up down |
Director
up
down |
Genre |
Role |
| ELECTRONS IN HARNESS |
1965 |
DAVID CONS |
Documentary |
Director Of Photography |
| MADAME IM STRANDBAD |
1929 |
EDMUND HAHN |
|
Director Of Photography |
| AIRCRAFT TODAY AND TOMORROW |
1946 |
SARAH ERULKAR |
Documentary |
Director Of Photography |
| AGAINST THE TIDE |
1965 |
ROBERT TRONSON |
Documentary |
Director Of Photography |
| VAGABUND |
1930 |
FRITZ WEISS |
|
Director Of Photography |
| SAVAGE VOYAGE, THE |
1971 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| BUSINESS CONNECTIONS |
1964 |
RICHARD TAMBLING |
Documentary |
Director Of Photography |
| FREEZING FISH AT SEA |
1970 |
CEDRIC MAGGS |
Documentary |
Director Of Photography |
| CARMICHAELS' CONVERSION, THE |
1968 |
PATRICK ASHTON |
Documentary |
Director Of Photography |
| STRANGE WORLD OF PLANET X |
1958 |
GILBERT GUNN |
Science fiction |
Director Of Photography |
| BIT OF DOING, A |
1963 |
DEREK WILLIAMS |
Documentary |
Director Of Photography |
| TA-RA-RA BOOM DE-AY |
1945 |
FRED WEISS |
Documentary |
Director Of Photography |
| PAPER MACHINES, THE |
1965 |
SIMON CAMPBELL-JONES |
Documentary |
Director Of Photography |
| SUSPECTS ALL |
1964 |
ANTHONY PELISSIER |
Documentary |
Director Of Photography |
| PEOPLE AND MONEY |
1968 |
ANTONY THOMAS |
Documentary |
Director Of Photography |
| CASE OF CHARLES PEACE, THE |
1949 |
NORMAN LEE |
|
Director Of Photography |
| GUIDE TO GOODNESS, A |
1967 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| WORLD TRANSFORMED, A |
1964 |
SEAFIELD HEAD |
Documentary |
Director Of Photography |
| INTRAVENOUS VALIUM ROCHE -THE GENTLE PERSUADER |
1970 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| WHAT IS GIRO? |
1967 |
DAVID CONS |
Documentary |
Director Of Photography |
| HIGH JUMP |
1951 |
STEPHEN CLARKSON |
Documentary |
Director Of Photography |
| VOICE OF ULSTER |
1949 |
DAVID VILLIERS |
Documentary |
Director Of Photography |
| ...AND THEN THERE WAS ONE |
1965 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| LISTEN TO STEEL |
1963 |
DANIEL INGRAM |
Documentary |
Director Of Photography |
| VOYAGE NORTH |
1965 |
ANTHONY PELISSIER |
Documentary |
Director Of Photography |
| HOW TO THROW THE JAVELIN |
1953 |
STEPHEN CLARKSON |
Documentary |
Director Of Photography |
| CONDUITS OF STEEL |
1965 |
SIMON CAMPBELL-JONES |
Documentary |
Director Of Photography |
| WHAT WHERE AND WHEN |
1968 |
DENNIS SHAND |
Documentary |
Director Of Photography |
| ZWEITE INTERNATIONALE SOZIALISTISCHE JUGENDTREFFEN IN WIEN 12 BIS 14 JULI 1919, DAS |
1929 |
|
Documentary |
Director Of Photography |
| GET OFF THE HOSE |
1954 |
RALPH SMART |
Documentary |
Director Of Photography |
| TIME OUT OF MIND |
1969 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| ATOMIC BOMB -ITS EFFECTS AND HOW TO MEET THEM, THE |
1952 |
DAVID VILLIERS |
Documentary |
Director Of Photography |
| SOUBOJ LASKY |
1928 |
JULIUS von SZOREGHY |
|
Director Of Photography |
| COUNTRY LIFE IN LOWLAND ENGLAND |
1968 |
DAVID CONS |
Documentary |
Director Of Photography |
| DANGEROUS VOYAGE |
1954 |
VERNON SEWELL |
|
Director Of Photography |
| WIDE BOY |
1952 |
KEN HUGHES |
|
Director Of Photography |
| IMPRESSION OF ALFRED HERBERT LIMITED, AN |
1969 |
WILLIAM POLLARD |
Documentary |
Director Of Photography |
| SIX CANDLES |
1960 |
E. BARDEN |
Documentary |
Director Of Photography |
| UTRPENI SEDE SESTRY |
1930 |
KAREL SPELINA |
|
Director Of Photography |
| BRAIN MACHINE, THE |
1955 |
KEN HUGHES |
Thriller |
Director Of Photography |
| FOOD FROM OIL |
1970 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| AT HENLEY...THE ADMINISTRATIVE STAFF COLLEGE IN ACTION |
1964 |
SEAFIELD HEAD |
Documentary |
Director Of Photography |
| POLICEMAN |
1970 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| INDUSTRIAL LIFE IN THE MIDLANDS |
1968 |
DAVID CONS |
Documentary |
Director Of Photography |
| SHUTDOWN |
1964 |
SEAFIELD HEAD |
Documentary |
Director Of Photography |
| FLOATING DUTCHMAN, THE |
1953 |
VERNON SEWELL |
|
Director Of Photography |
| ALL IN A DAY'S WORK |
1967 |
ANTHONY PELISSIER |
Documentary |
Director Of Photography |
| DIAMONDS |
1967 |
ANTHONY PELISSIER |
Documentary |
Director Of Photography |
| WRONG NUMBER |
1959 |
VERNON SEWELL |
|
Director Of Photography |
| BOTH FEET ON THE PAD |
1963 |
SEAFIELD HEAD |
Documentary |
Director Of Photography |
| MRS. WORTH GOES TO WESTMINSTER |
1949 |
|
Documentary |
Director Of Photography |
| JOHN OF THE FAIR |
1952 |
MICHAEL McCARTHY |
|
Director Of Photography |
| CANARY ISLAND CABLE |
1968 |
ERIC MARQUIS |
Documentary |
Director Of Photography |
| FIRST LEFT PAST ADEN |
1961 |
COMPTON BENNETT |
Documentary |
Director Of Photography |
| ULSTER HERITAGE |
1961 |
STANLEY WILLIS |
Documentary |
Director Of Photography |
| LITTLE RED MONKEY |
1953 |
KEN HUGHES |
Drama |
Director Of Photography |
| JUWELEN |
1929 |
HANS BRUCKNER |
|
Director Of Photography |
| MEALS OF TOMORROW |
1961 |
GEORGE H. SEWELL |
Documentary |
Director Of Photography |
| POWER TO STOP, THE |
1958 |
DAVID COBHAM |
Documentary |
Director Of Photography |
| HAZARD |
1959 |
THOMAS STOBART |
|
Director Of Photography |
| SEARCH AND RESEARCH |
1967 |
ERIC MARQUIS |
Documentary |
Director Of Photography. |