|
Film Name
up
down |
Year
up down |
Director
up
down |
Genre |
Role |
| ZWISCHEN VIERZEHN UND SIEBZEHN |
1929 |
E. W. EMO |
|
Director Of Photography |
| ZWEI HERZEN IM 3/4-TAKT |
1930 |
GEZA von BOLVARY |
|
Director Of Photography |
| ZAPFENSTREICH |
1925 |
CONRAD WIENE |
|
Director Of Photography |
| WENN DU NOCH EINE HEIMAT HAST |
1929 |
SIEGFRIED PHILIPPI |
|
Director Of Photography |
| WENN DAS HERZ DER JUGEND SPRICHT |
1926 |
FRED SAUER |
|
Director Of Photography |
| WEEKEND IM PARADIES |
1932 |
ROBERT LAND |
|
Director Of Photography |
| WAS FRAUEN TRAUMEN |
1933 |
GEZA von BOLVARY |
|
Director Of Photography |
| VOLK IN NOT |
1925 |
WOLFGANG NEFF |
|
Director Of Photography |
| VATER UND SOHN |
1929 |
GEZA von BOLVARY |
|
Director Of Photography |
| VALSE ETERNELLE |
1936 |
MAX NEUFELD |
|
Director Of Photography |
| UNSICHTBARE GAST, DER |
1921 |
FRIEDRICH ZELNIK |
|
Director Of Photography |
| UM DEN SOHN |
1921 |
FREDERIK LARSEN |
|
Director Of Photography |
| U 9 WEDDIGEN |
1927 |
HEINZ PAUL |
|
Director Of Photography |
| TRUST DER DIEBE |
1929 |
ERICH SCHONFELDER |
|
Director Of Photography |
| TESTAMENT DES CORNELIUS GULDEN, DAS |
1932 |
E. W. EMO |
|
Director Of Photography |
| TELL ME TONIGHT |
1932 |
ANATOLE LITVAK |
Comedy |
Director Of Photography |
| TAGEBUCH DER GELIEBTEN, DAS |
1935 |
HENRY KOSTER |
|
Director Of Photography |
| TAG DER ROSEN IM AUGUST.. DA HAT DIE GARDE FORTGEMUSST |
1927 |
MAX MACK |
|
Director Of Photography |
| SJOMAN GAR I LAND, EN |
1937 |
RAGNAR ARVEDSON |
|
Director Of Photography |
| SERENISSIMUS UND DIE LETZTE JUNGFRAU |
1928 |
LEO MITTLER |
|
Director Of Photography |
| SEIN LIEBESLIED |
1931 |
GEZA von BOLVARY |
|
Director Of Photography |
| SCHUBERT'S FRUHLINGSTRAUM |
1931 |
RICHARD OSWALD |
|
Director Of Photography |
| SALTIMBANQUES, LES |
1930 |
JAQUELUX |
|
Director Of Photography |
| RAUB DER SABINERINNEN, DER |
1928 |
ROBERT LAND |
|
Director Of Photography |
| RAUB DER MONA LISA, DER |
1931 |
GEZA von BOLVARY |
|
Director Of Photography |
| RASKOLNIKOV |
1923 |
ROBERT WIENE |
|
Director Of Photography |
| RAKOCZY-MARSCH |
1933 |
GUSTAV FROHLICH |
|
Director Of Photography |
| PRINZESSIN OLALA |
1928 |
ROBERT LAND |
|
Director Of Photography |
| PRIMANERLIEBE |
1927 |
ROBERT LAND |
|
Director Of Photography |
| POLNISCHE WIRTSCHAFT |
1928 |
E. W. EMO |
|
Director Of Photography |
| NOTTE CON TE, UNA |
1932 |
FERRUCCIO BIANCINI |
|
Director Of Photography |
| MONSIEUR, MADAME ET BIBI |
1932 |
JEAN BOYER |
|
Director Of Photography |
| MODERNE PIRATEN |
1928 |
MANFRED NOA |
|
Director Of Photography |
| MENSONGES, LES |
1927 |
PIERRE MARODON |
|
Director Of Photography |
| MEINEID |
1929 |
GEORG JACOBY |
|
Director Of Photography |
| MEIN LEOPOLD |
1931 |
HANS STEINHOFF |
|
Director Of Photography |
| MANN UM MITTERNACHT, DER |
1924 |
HOLGER-MADSEN |
|
Director Of Photography |
| MAN BRAUCHT KEIN GELD |
1931 |
CARL BOESE |
|
Director Of Photography |
| MADCHEN, DAS WARTETE, DAS |
1921 |
FREDERIK LARSEN |
|
Director Of Photography |
| MADAME WUNSCHT KEINE KINDER |
1933 |
HANS STEINHOFF |
|
Director Of Photography |
| MADAME NE VEUT PAS D'ENFANTS |
1932 |
CONSTANTIN LANDAU |
|
Director Of Photography |
| MACHT DER FINSTERNIS, DIE |
1923 |
CONRAD WIENE |
|
Director Of Photography |
| LYCKLIGA VESTKOPING |
1937 |
RAGNAR ARVEDSON |
|
Director Of Photography |
| LIED IST AUS, DAS |
1930 |
GEZA von BOLVARY |
|
Director Of Photography |
| LIEBESKOMMANDO |
1931 |
GEZA von BOLVARY |
|
Director Of Photography |
| LETZTE LIEBE |
1935 |
FRITZ SCHULZ |
Drama |
Director Of Photography |
| LEICHTE ISABELL, DIE |
1927 |
EDDY BUSCH |
|
Director Of Photography |
| KRASSE FUCHS, DER |
1926 |
CONRAD WIENE |
|
Director Of Photography |
| KOLONNE X |
1929 |
REINHOLD SCHUNZEL |
|
Director Of Photography |
| KLEINE UND IHR KAVALIER, DIE |
1926 |
RICHARD LOWENBEIN |
|
Director Of Photography |
| KINDERSEELEN KLAGEN EUCH AN |
1927 |
CURTIS BERNHARDT |
|
Director Of Photography |
| KAMRATER I VAPENROCKEN |
1938 |
SCHAMYL BAUMAN |
|
Director Of Photography |
| JOKER, LE |
1931 |
ERICH WASCHNECK |
|
Director Of Photography |
| JOHANN BAPTISTE LINGG |
1920 |
ARTHUR TEUBER |
|
Director Of Photography |
| JENSEITS VON GUT UND BOSE |
1921 |
FRED SAUER |
|
Director Of Photography |
| INCONSTANTE, L' |
1931 |
ANDRE RIGAUD |
|
Director Of Photography |
| IM WERDER BLUHEN DIE BAUME |
1928 |
FRED SAUER |
|
Director Of Photography |
| IHRE LETZTE DUMMHEIT |
1924 |
RICHARD ARVAY |
|
Director Of Photography |
| ICH WILL NICHT WISSEN, WER DU BIST |
1932 |
GEZA von BOLVARY |
|
Director Of Photography |
| ICH GEH' AUS UND DU BLEIBST DA |
1931 |
HANS BEHRENDT |
|
Director Of Photography |
| HURRA -EIN JUNGE! |
1931 |
GEORG JACOBY |
Comedy |
Director Of Photography |
| HOHEIT TANZT WALZER |
1935 |
MAX NEUFELD |
|
Director Of Photography |
| HOCHZEIT AUF REISEN |
1953 |
PAUL VERHOEVEN |
|
Director Of Photography |
| HERR AUF BESTELLUNG, DER |
1930 |
GEZA von BOLVARY |
|
Director Of Photography |
| HERKULES MAIER |
1927 |
ALEXANDER ESWAY |
|
Director Of Photography |
| HAXNATTEN |
1937 |
SCHAMYL BAUMAN |
|
Director Of Photography |
| HAUS VOLL LIEBE, EIN |
1954 |
HANS SCHWEIKART |
|
Director Of Photography |
| HAUS IN DER DRAGONERGASSE, DAS |
1921 |
RICHARD OSWALD |
|
Director Of Photography |
| GRUNE MONOKEL, DAS |
1929 |
RUDOLF MEINERT |
|
Director Of Photography |
| GOLDENE PEST, DIE |
1921 |
LOUIS RALPH |
|
Director Of Photography |
| GOING GAY |
1933 |
CARMINE GALLONE |
|
Director Of Photography |
| FRUCHTCHEN |
1934 |
MAX NEUFELD |
|
Director Of Photography |
| FRAULEIN LILLI |
1936 |
HANS BEHRENDT |
|
Director Of Photography |
| FRAU, DIE NICHT "NEIN" SAGEN KANN, DIE |
1926 |
FRED SAUER |
|
Director Of Photography |
| FOR LOVE OF YOU |
1933 |
CARMINE GALLONE |
|
Director Of Photography |
| FLICKA KOMMER TILL STAN, EN |
1937 |
THOR L. BROOKS |
|
Director Of Photography |
| ERZIEHER MEINER TOCHTER, DER |
1929 |
GEZA von BOLVARY |
|
Director Of Photography |
| ERWACHEN DES WEIBES, DAS |
1927 |
FRED SAUER |
|
Director Of Photography |
| ERLEBNISSE DER BERUHMTEN TANZERIN FANNY ELSSLER, DIE |
1920 |
FRIEDRICH ZELNIK |
|
Director Of Photography |
| DIARIO DI UNA DONNA AMATA, IL |
1936 |
HENRY KOSTER |
|
Director Of Photography |
| DIAMANTENKONKURRENZ, DIE |
1921 |
TRUDE SANTEN |
|
Director Of Photography |
| DEUTSCHE HERZEN AM DEUTSCHEN RHEIN |
1926 |
FRED SAUER |
|
Director Of Photography |
| DES LEBENS WURFELSPIEL |
1925 |
HEINZ PAUL |
|
Director Of Photography |
| DELIKATESSEN |
1930 |
GEZA von BOLVARY |
|
Director Of Photography |
| CSIKOS-BARONESS, DIE |
1930 |
JACOB FLECK |
|
Director Of Photography |
| CASANOVAS ERBE |
1928 |
MANFRED NOA |
|
Director Of Photography |
| BISSCHEN LIEBE FUR DICH, EIN |
1932 |
MAX NEUFELD |
|
Director Of Photography |
| ASCHERMITTWOCH |
1925 |
WOLFGANG NEFF |
|
Director Of Photography |
| ANSCHLUSS UM MITTERNACHT |
1929 |
MARIO BONNARD |
|
Director Of Photography |
| ANNA KARENINA |
1920 |
FRIEDRICH ZELNIK |
Period |
Director Of Photography |
| AN EN GANG GOSTA EKMAN |
1940 |
SCHAMYL BAUMAN |
|
Director Of Photography |
| ALPENTRAGODIE |
1927 |
ROBERT LAND |
|
Director Of Photography |
| ALLES FUR DIE FIRMA |
1935 |
RUDOLF MEINERT |
Comedy |
Director Of Photography |
| ADAM UND EVA |
1928 |
RUDOLF BIEBRACH |
|
Director Of Photography. |